Musicological symposium "Enescu's faces"
The scientific preoccupation with Enescu is characterized by constantly new approaches. The musicological research, extremely productive since 1955, did have to adjust itself time and again in Romania to changed esthetical and ideological demands by either following or purposedly avoiding them.
After the downfall of communism the tendency to free Enescu's oeuvre from national limitations and to confront it with international modernism became predominant and proved itself as a new beginning that is as much promising as it is difficult.
Enescu considered himself to be an artist of five faces - the composer, the violinist, the conductor, the pianist and the teacher. The musicological research dealing with Enescu will have to take a lot more than those five into consideration.
The symposium will take place at the Chamber Hall of the University of Arts Berlin, Fasanenstr. 1 on 27th -29th October, 2005.
Thursday, Oct. 27, 2005, 10am |
10:00 am
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Greetings by Prof. Dr. Rainer Cadenbach |
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10:30 - 11:50 am
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Chair: Jörg Siepermann |
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Laura Manolache: George Enescu und die europäische Dimension seines Schaffens |
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Helmut Loos: Enescu und das romantische Künstlerbild |
12:00 - 12:40 pm
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Harry Halbreich: George Enescu - ein Radikaler jenseits der Moderne |
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2:00 - 3:20 pm
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Chair: Helmut Loos |
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Michaela Caranica-Fulea: Ambiguitäten und tragische Ironie in dipe von Enescu/Fleg |
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Dumitru Avakian: George Enescu's dipe. Directorial views of the relationship between the main character and the Sphinx |
3:30 - 5:00 pm
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Corneliu Dan Georgescu: Enescu, Bartók, Strawinsky - eine mögliche Perspektive. |
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Valentina Sandu-Dediu: Enescus Einfluss auf die rumänischen Komponisten nach 1950 |
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Friday, Oct. 28, 2005, 10am |
10 - 11:25 am
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Chair: Rainer Cadenbach |
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Dan Dediu: Der "Anfang" in Enescus Werken - eine phänomenologische Untersuchung |
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Eugen Wendel: Stilistische Wandlungen in Werken von George Enescu |
11:40 - 12:20 pm
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Lory Wallfisch: Erinnerungen an George Enescu |
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2:00 - 3:20 pm
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Chair: Jürgen Maehder |
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Violeta Dinescu: Das Carillon nocturne
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Tibor Szász: Les cloches sonores - Glockenklänge in der Klaviermusik von Enescu und Dohnányi |
3:35 - 5:00 pm
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Martin Ullrich: "Voix de la nature"? Vogelstimmen in George Enescus Suite Villageoise und den Impressions d'Enfance. |
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Jörg Siepermann: Die kommunistische Enescu-Rezeption und ihre postkommunistische Verzerrung |
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Saturday, Oct. 29, 2005, 10am |
10:00 - 11:25 am
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Chair: Albrecht Riethmüller |
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Rainer Cadenbach: (Enescus Streichquartette) |
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Cornel Taranu: Das Caprice Roumain für Violine und Orchester |
11:40 - 1:00 pm
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Ruxandra Demetrescu: Das Auge im Ohr - musikalische Sichtbarkeit in der rumänischen Kultur der Moderne |
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Guido Heldt: Inter/National. Enescus 1. Rumänische Rhapsodie und die Formeln des Folkloristischen |
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