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Musicological symposium "Enescu's faces"

The scientific preoccupation with Enescu is characterized by constantly new approaches. The musicological research, extremely productive since 1955, did have to adjust itself time and again in Romania to changed esthetical and ideological demands by either following or purposedly avoiding them.

After the downfall of communism the tendency to free Enescu's oeuvre from national limitations and to confront it with international modernism became predominant and proved itself as a new beginning that is as much promising as it is difficult.

Enescu considered himself to be an artist of five faces - the composer, the violinist, the conductor, the pianist and the teacher. The musicological research dealing with Enescu will have to take a lot more than those five into consideration.

The symposium will take place at the Chamber Hall of the University of Arts Berlin, Fasanenstr. 1 on 27th -29th October, 2005.


Thursday, Oct. 27, 2005,   10am
10:00 am
  Greetings by Prof. Dr. Rainer Cadenbach
10:30 - 11:50 am
  Chair: Jörg Siepermann
  Laura Manolache: George Enescu und die europäische Dimension seines Schaffens
  Helmut Loos: Enescu und das romantische Künstlerbild
12:00 - 12:40 pm
  Harry Halbreich: George Enescu - ein Radikaler jenseits der Moderne
2:00 - 3:20 pm
  Chair: Helmut Loos
  Michaela Caranica-Fulea: Ambiguitäten und tragische Ironie in Œdipe von Enescu/Fleg
  Dumitru Avakian: George Enescu's Œdipe. Directorial views of the relationship between the main character and the Sphinx
3:30 - 5:00 pm
  Corneliu Dan Georgescu: Enescu, Bartók, Strawinsky - eine mögliche Perspektive.
  Valentina Sandu-Dediu: Enescus Einfluss auf die rumänischen Komponisten nach 1950
Friday, Oct. 28, 2005,   10am
10 - 11:25 am
  Chair: Rainer Cadenbach
    Dan Dediu: Der "Anfang" in Enescus Werken - eine phänomenologische Untersuchung
  Eugen Wendel: Stilistische Wandlungen in Werken von George Enescu
11:40 - 12:20 pm
  Lory Wallfisch: Erinnerungen an George Enescu
2:00 - 3:20 pm
  Chair: Jürgen Maehder

Violeta Dinescu: Das Carillon nocturne

  Tibor Szász: Les cloches sonores - Glockenklänge in der Klaviermusik von Enescu und Dohnányi
3:35 - 5:00 pm
  Martin Ullrich: "Voix de la nature"? Vogelstimmen in George Enescus Suite Villageoise und den Impressions d'Enfance.
  Jörg Siepermann: Die kommunistische Enescu-Rezeption und ihre postkommunistische Verzerrung
Saturday, Oct. 29, 2005,   10am
10:00 - 11:25 am
  Chair: Albrecht Riethmüller
  Rainer Cadenbach: (Enescus Streichquartette)
  Cornel Taranu: Das Caprice Roumain für Violine und Orchester
11:40 - 1:00 pm
  Ruxandra Demetrescu: Das Auge im Ohr - musikalische Sichtbarkeit in der rumänischen Kultur der Moderne
    Guido Heldt: Inter/National. Enescus 1. Rumänische Rhapsodie und die Formeln des Folkloristischen
Dumitru Avakian
Rainer Cadenbach
Michaela Caranica-Fulea
Dan Dediu
Ruxandra Demetrescu
Violeta Dinescu
Corneliu Dan Georgescu
Harry Halbreich
Guido Heldt
Helmut Loos
Jürgen Maehder
Laura Manolache
Albrecht Riethmüller
Valentina Sandu-Dediu
Jörg Siepermann
Tibor Szász
Cornel Taranu
Martin Ullrich
Lory Wallfisch
Eugen Wendel

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